Nineteenth-century highland Madagascar was a place inhabited by the dead as much as the living. Ghosts, ancestors, and the possessed were important historical actors alongside local kings and queens, soldiers, traders, and missionaries. This book considers the challenges that such actors pose for historical accounts of the past and for thinking about questions of presence Nineteenth-century highland Madagascar was a place inhabited by the dead as much as the living.
- Ancestral Encounters in Highland Madagascar by Zoë Crossland.
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- Folk Etymology as a Linguistic Phenomenon;
- Ancestral Encounters in Highland Madagascar: Material Signs and Traces of the Dead.
This book considers the challenges that such actors pose for historical accounts of the past and for thinking about questions of presence and representation. How were the dead made present, and how were they recognized or not? In attending to these multifarious encounters of the nineteenth century, how might we reflect on the ways in which our own history-writing makes the dead present? Get A Copy.
Dr Zoe Crossland
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Sort order. Rodney is currently Principal Investigator of Heritage Futures www. It promotes ambitious interdisciplinary research to explore the potential for innovation and creative exchange across a broad range of natural and cultural heritage and related fields, in partnership with a number of academic and non-academic institutions and interest groups. It is distinctive in its comparative approach, which aims to bring heritage conservation practices of various forms into closer dialogue with the management of other material and virtual legacies such as nuclear waste, and in its exploration of different forms of heritage as discrete future-making practices.
He is the co- author or co- editor of more than a dozen books and edited volumes and over 60 refereed journal articles and book chapters on a range of topics, with particular foci on archaeologies of the present and recent past, historical archaeologies of colonialism, critical heritage studies and the histories of museums, archaeology and anthropology.
Heritage is a term which has generally been understood to denote that which is both rare or endangered and positively valued. But what happens when we bring heritage into comparative perspective with other more abject forms of remnants, traces, redundant objects and practices, or material and discursive residues? Kevin Hetherington has previously drawn attention to heritage as a category of spatial and discursive placing which relates to broader, often cyclical practices of consumption and management of redundancy.
In this paper I aim to retheorise heritage and waste as forms of material and discursive legacy, and to reconsider the ontological implications of living with, caring for, and assembling futures out of both more and less persistent forms of legacies in the present.
Anna is trained as an historian with a multidisciplinary profile. Her interests are centred on contemporary situations in relation to past events, with key inspiration from scholars in history of technology, environmental history, human geography and critical heritage studies. In her monograph Post-Industrial Landscape Scars Palgrave Macmillan , she explores industrially devastated or otherwise hurt landscapes.tiotrafchistspumti.tk
Ancestral Encounters in Highland Madagascar: Zoe Crossland - Book | Rahva Raamat
These landscapes not only trigger perspectives of power relations but also challenge our understandings of ecology, aesthetics, memory and heritage. In the book, she proposes the metaphor of post-industrial landscape scars as a useful concept to grasp complex temporalities as well as components of injustice, conflict, narration, beauty, commodification and reconciliation.
Her current research project deals with legacies of civil nuclear power. A scar is a reminder, the trace of a wound. It is often ugly and stands for the pains of the past. Spontaneously, a scar is always understood as negative. However, some bodily wounds and scars are chosen, self-inflicted or at least positively laden.
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Caesarian section operation scars, Mensur scars, or body ornamentation through so-called scarification, carry different meanings and connotations, but they all have one thing in common—they are physical reminders of something of at least personal significance.